‘With its tonal nuance and quietly amusing melancholy, Echoes Of The City confirms him as one of Norway’s finest writers.’
THE GUARDIAN

‘A profoundly resonant novel that reveals not only personal interaction but significant economic and societal shifts in postwar Norway’
TIMES LITERARY SUPPLEMENT

‘Found notebooks become great literature.’
BERLINSKE 5/6

On the trail of a lost Oslo
‘A book that exudes quality from start to finish… Lays the foundations for a marvellous trilogy.’
POLITIKKEN, 5/6

Literary critic Fredrik Wandrup recommends:
‘It’s a major event when Fagerborg’s answer to Charles Dickens publishes the first volume in a new novel cycle. This time, the starting-point for the intrigue is the discovery of a diary kept by the narrator’s mother, who worked for the Red Cross. Full of engaging characters and memorable atmospheres.’
ARENDALS TIDENDE

Oslo West
‘Here, he is truly on home ground – both thematically and linguistically. The novel can be seen as a tour of the city that is high in both literary and historical content.’

‘There is a freshness, an audacity and a playfulness in Saabye Christensen that are almost unparalleled in modern Norwegian fiction. He can even make stock phrases and clichéd expressions shine just by tweaking the word order a bit, or placing it all in new contexts.’
JAN-ERIK ØSTLIE, FRI FAGBEVEGELSE

‘Echoes of the City is, in many ways, what readers want to have (…) combined with Saabye Christensen’s unique touch, this book could be making regular appearances in our “On the beside table” column for a long time to come.’
DAGENS NÆRINGSLIV

‘As we are drawn into the everyday life of the people, and get caught up in joys and sorrows, and challenges large and small, it’s good to know that this is the first volume in a trilogy. We’ll be going back there in a while.’
DAG OG TID

‘Here Saabye Christensen is at his best. May he stay like this for a long time.
NRK

‘A novel of the kind that does not shout loudly, but is carried by fine personal portraits and wisdom disguised as sparkling gold grains, in turn, consolidating Lars Saabye Christensen's position as Oslo's premier home town poet.’
DAGSAVISEN

‘Lars Saabye Christensens writing put you in a good mood, and sometimes make you laugh out loud. But the characteristic vulnerability is strongly present, both in the written sentences and between the lines. Even more so than before.’
ADRESSEAVISA 5/6

‘A portrait formulated with the poetic melancholy, so typical to Saabye Christensen when he is at his best.’
DAGBLADET 5/6

‘In the references, but maybe foremost in the loaded dialogue between the people in the book, echoes a certain lingual musicality delivered by one of our foremost literary impressionists.’
VG 5/6

‘This is a story that reaches far into the roots of your heart. Warmth, sympathy and the ability ”to live with” characterize this novel, telling the tale of life in Oslo just after WWII.’

FÆDRELANDSVENNEN 5/6

‘But it is this he wants to show us; all the details, looks and gestures, all the sensible and human that we are missing out of in our time, with our vision glued to an iPhone. I do not think that I am completely mistaken if I say that the fans, the hard core ones, are going to really love this perspective.’

AFTENPOSTEN

‘It's a book filled with sorrow and wistfulness for a time torn between faith in the future and the community's need for social control. It's Lars Saabye Christensen on home turf. It's the author at his best.’
FÆDRELANDSVENNEN

‘In this magnificent novel Lars Saabye Christensen delivers quoteworthy and goldlike sentences, vigorous word play and surprising associations.’
BOK365